Auction 102 Part 2 Rare and Important Items
"Havdalah" Spicebox. Apparently, Bohemia or Moravia (possibly Brno or Prague), [second half of 18th century].
Silver, repoussé, pierced, sawed, and engraved (unmarked except for tax mark from Vienna, in use from 1806 onward); parcel gilt.
Elegant "Havdalah" spicebox, in the form of a belltower surmounted by a pair of onion-shaped domes and bearing a clock equipped with a single rotating hand. This particular model of spicebox was in widespread use across Bohemia and Moravia, and similar spiceboxes were known to have been produced in the cities of Prague and Brno.
The splendid, meticulously crafted spicebox bears an architectonic design which includes two bell chambers, and a square spice container surmounted by a tall steeple featuring a pair of onion-shaped domes. At the base of the steeple is a clock with one rotating hand. Above the two onion-shaped domes is a spherical ornament at the base of a fancy flag, whose mast is surmounted by an additional, flower-shaped ornament. The spice container is perforated (pierced) with apertures and openings to enable sniffing the spice inside. It is decorated with vegetal patterns and bordered with small brick-shaped rectangles. The onion-shaped domes are similarly decorated with a pattern of brick-shaped rectangles. A prominent, relief ornament in repoussé in the form of a domed structure appears on all four sides of the spice container. On the front side of the container, this ornament is equipped with a tiny hinged door with a locking mechanism. Extending from each of the four corners of the container are spiraling silver columns surmounted by small flags with flower-like ornaments on top. The container is supported by an ornament in the form of a pitcher with four handles, screwed into the broad, square base, itself adorned with vegetal patterns. Hebrew letters are engraved onto each of the four cartouches adorning the base; these are apparently the letters "yud", "bet", "nun", and "heh", each of them representing, in sequential order, the first letter of the subject of each of the four blessings that make up the Havdalah ritual: "yud" for "yayin" (wine), "bet" for "besamim" (spices), "nun" for "ner" (candle), and "heh" for "havdalah" (separation).
Height: 31 cm. Width at base: 9.5X9.5 cm. Overall good condition. Minor warping to spice container and other parts. Connections between spiraling columns and spice container slightly loose.
For comparison, see: the Jewish Museum in Prague, item nos. 012.228, 027.795; Chaya Benjamin and Marilyn Gold Koolik, eds. and curators, "Towers of Spices: The Tower-Shape Tradition in Havdalah Spiceboxes, " exhibition catalogue, The Israel Museum, Jerusalem, Israel, 1982 (Hebrew and English), pp. 20-23 (in Hebrew edition).
Provenance:
1. Oscar and Regina Gruss Collection, New York.
2. Heirs of the above.
The Oscar and Regina Gruss Collection
In 1939, Oscar and Regina Gruss fled their hometown of Lvov (then part of Poland, now in Ukraine), narrowly escaping the Holocaust, and eventually settling in the United States. In the years following the war, they devoted themselves to assembling one of the finest collections of Jewish ceremonial art in the USA, with a particular focus on silverwork and 19th-century Jewish paintings.
Their collection featured masterpieces by celebrated artists such as Isidor Kaufmann, Moritz Daniel Oppenheim, and Solomon Alexander Hart. Many of these works were generously donated to The Jewish Museum, New York, while others remained within the family. The paintings in this catalogue are being offered at auction for the first time.
For additional items from the collection of Oscar and Regina Gruss in the present catalogue, see lot nos. 133, 144, 147, 153, 154, 204 and 205.
Pair of finials for a Torah scroll. Augsburg, Germany, 1814.
Cast silver, embossed, pierced and turned; gilt; one leg marked with the Augsburg hallmark (Z; 1814) and a faint maker's mark.
Finials (Rimonim), of a model characteristic of Augsburg. No fewer than seven other pairs of finials are known from this model, and they all appear to have been produced in Augsburg in the first quarter of the 19th century.
The design of the finials matches in large part the design of the Torah crown in the Jewish Museum in New York (item F 4588), and they may have previously been part of the same set.
Height: 43.5 cm, 41.5 cm. Overall good condition. Minor damage and loose fastenings. Bells lacking; some bells non-original. Decorations appear to be missing from top (shields held in the lions' paws).
For further information and comparison, see: Chaya Benjamin, The Stieglitz Collection: Masterpieces in Jewish Art (Israel Museum Press, 1987), item 14; Rafi Grafman, Crowning Glory: Silver Torah Ornaments of the Jewish Museum, New York (New York, 1996), nos. 269-272 and no. 459.
Wimpel commemorating the birth of the infant boy Moshe (Maurice) Ulmann. [Probably Alsace / France], February 1884.
Ink and paint on linen fabric.
Richly decorated "wimpel". Consists of four sheets of cloth of identical size, sewn together. The following inscription appears in the center (Hebrew and French): "Moshe son of Yisrael Ulmann (Maurice fils de Jsidor Ulmann) born on Sunday, the 28th of Shevat 5644 [1884] …".
This wimpel is adorned with more than 50 hand-painted illustrations, covering most of its surface, giving it a magnificently colorful richness. The illustrations bear a variety of themes and motifs, including animals (birds, butterflies, fish – the latter, Pisces, being the Zodiac sign of the newborn child – as well as a lion, an antelope, a deer, and other creatures); musicians (playing the cello, violin, trumpet drum, accordion, and other instruments); angels; illustrations of biblical scenes, with emphasis on themes related to Moses (in connection to the child’s Hebrew name, "Moshe"), specifically the figures of Moses and Aaron, Pharaoh’s daughter discovering Moses on the Nile, the Exodus from Egypt and crossing of the Red Sea, Adam and Eve, and more; and illustrations depicting various mitzvot or the cycle of life, including learning Torah, a woman lighting a Sabbath lamp, a feast (Purim?), a Chuppah, and more.
360X22.5 cm. Overall good condition.
Amulet case. [Probably Venice, Italy, 18th century].
Silver, cast, repoussé, and engraved (unmarked).
Two-sided amulet case, adorned with vegetal patterns and rocailles in Rococo style.
The body of the amulet is surmounted by a crown-shaped ornament, in turn surmounted by a clover-shaped set of suspension rings. At the bottom is an ornament shaped like a cluster of grapes, symbolizing fecundity and abundance. On either side of the amulet case, at center, are heart-shaped cartouches enclosing the Holy Name "Shaddai", flanked on either side by various ornaments: on one side of the case a priestly head covering, and on the other side an incense burner for Temple use; on the other side of the case, the Two Tablets of the Law inscribed with the abbreviated Ten Commandments and the seven-branched Temple Menorah.
Cases of this sort were used for keeping amulets, which were folded up and housed in the inner chamber. Some amulets were written with a particular individual in mind; some were intended for a specific purpose. Such amulets would typically be exchanged when the case changed hands. Over time, the cases themselves began serving as amulets.
Height: 12.5 cm. Width: 9 cm. Fair-good condition. Warping; case somewhat flattened, consequently losing some of its capacity.
