Auction 95 Early Printed Books, Chassidut and Kabbalah, Letters and Manuscripts, Engravings and Jewish Ceremonial Objects
“Shavuos’el” / “roizeleh”, papercut, painted in watercolor, for the holiday of Shavu’ot, by Yosef Zvi Geiger. [Safed], 1914.
Papercut, hand-made and painted in watercolor, with gilt calligraphy. The work centers around the (Hebrew) words “In Honor of the Holiday of Shavu’ot, Festival of the Giving of the Torah” in large gilt letters. Surrounding the letters and intertwined within them are slender branches bearing flowers, buds, and leaves. Birds are perched on the branches. Inscribed (in Hebrew) on the back of the papercut: “Made in Year 1914”.
The art of papercutting is believed to be the quintessential expression of European Jewish folk art. Eastern European Jewish papercuts assumed many different forms and exhibited a wealth of themes and motifs, to serve a wide range of purposes. They were used as “Mizrah” and “Shiviti” plaques; “Yahrzeit” plaques; “Shir HaMa’alot” (“Song of Ascent”, Psalms 121) plaques, believed to give protection to childbearing mothers and newborns; “roizelakh” (rose-shaped ornaments) to decorate the household during the Shavu’ot holiday; “Ushpizin” plaques for the Sukkot holiday; and other forms of items.
The present papercut represents a local "Eretz Israel" variation on the type of "roizelakh" made specifically for Shavu'ot; unlike its Eastern European counterparts, this one is not symmetrical, nor is it laid out according to the typical plan of Shavu'ot roizelakh from Eastern Europe. Nor does it follow the design of other, more traditional, Shavu'ot roizelakh made by Geiger himself. But it does in fact resemble "Mizrah" and "Shiviti" papercut plaques, and its creator, Yosef Zvi Geiger, lived and was active among the inhabitants of the Old Jewish Yishuv in Safed, many of whose members had brought with them the traditions of the Eastern European Jewish communities from which they originated.
See following items.
23.5X24 cm. Overall good condition. Pinholes to margins. Few stains and creases. Slight tears. Small repairs with adhesive tape.
Yosef Zvi Geiger (1870-1944), native of Safed. One of the most accomplished and prominent public figures involved with Safed’s Torah and charity institutions. Served as general secretary of Safed’s “kolel” institutions, and was influential in running them. His home served as a regular meeting place for the “gaba’im” (managers) of the various “kolelim” and congregations. The Yishuv’s foremost newspapers – including “Havatzelet, ” “HaLevanon, ” and “HaZefirah” – all regularly published his articles. His penmanship and elegant calligraphy rendered his handwriting eminently legible; among his many other duties, he served as a “sofer” (ritual scribe) for the kolelim, and assisted illiterate members of the community by writing letters on their behalf. Geiger was renowned in his hometown of Safed for being both a gifted scribe and talented painter, entrusted with producing beautifully scripted documents. Among his extant works are splendid “Mizrah” and “Shiviti” plaques; calligraphic and illustrated title pages for “donors’ books”; illuminated donors’ certificates and letters of greeting; and papercuts in the Eastern European style. His contemporaries in Safed glowingly recall the beautiful marriage contracts he produced for the town’s couples, decorated with gilt lettering and with floral and vegetal patterns; and artworks he created to adorn the walls of the local synagogues, including gilt-lettered plaques. Among his many special talents was his ability to inscribe micrographic texts onto grains of wheat; he could fit entire biblical verses onto a single grain. In the (Hebrew) book of memoirs by Yosef Zvi’s grandson, Benjamin Geiger, entitled “One of the Elders of Safed, ” Benjamin writes that his grandfather also specialized in engraving in stone, and his lettering appears on a number of Safed’s headstones.
PLEASE NOTE: Item descriptions were shortened in translation. For further information, please refer to Hebrew text.
“Shavuos’el” / “roizeleh”, papercut for the holiday of Shavu’ot, by Yosef Zvi Geiger. [Safed], Sivan 1915.
Symmetrical papercut, hand-made and painted in watercolor, and decorated in gilt. The work centers around a rounded octagonal star with decorated sides, enclosed within a circle. The surface and corners are all cut in patterns of flowers, branches, and leaves. In the middle of the star is a colored pitcher; rising out of the pitcher are branches with flowers, and a pair of birds hovers in the middle foreground. The leaves encircling the pitcher and birds bears a gilt (Hebrew) inscription: “The Law [Torah] of the Lord is perfect / restoring / the soul… / the precepts of the Lord / are right / rejoicing / the heart…” (Psalms 19:7-8). The papercut is titled and dated in pencil (in Hebrew) on the back: “Made in Sivan Year 5765 [1915], time of the Great War / a year of wars [involving] most of the world, a year of moratorium”.
See also previous item and following items.
23.5X24 cm. Overall good condition. Pinholes to margins. Few stains and creases. Minor repairs with adhesive tape.
Yosef Zvi Geiger (1870-1944), native of Safed. One of the most accomplished and prominent public figures involved with Safed’s Torah and charity institutions. Served as general secretary of Safed’s “kolel” institutions, and was influential in running them. His home served as a regular meeting place for the “gaba’im” (managers) of the various “kolelim” and congregations. The Yishuv’s foremost newspapers – including “Havatzelet, ” “HaLevanon, ” and “HaZefirah” – all regularly published his articles. His penmanship and elegant calligraphy rendered his handwriting eminently legible; among his many other duties, he served as a “sofer” (ritual scribe) for the kolelim, and assisted illiterate members of the community by writing letters on their behalf. Geiger was renowned in his hometown of Safed for being both a gifted scribe and talented painter, entrusted with producing beautifully scripted documents. Among his extant works are splendid “Mizrah” and “Shiviti” plaques; calligraphic and illustrated title pages for “donors’ books”; illuminated donors’ certificates and letters of greeting; and papercuts in the Eastern European style. His contemporaries in Safed glowingly recall the beautiful marriage contracts he produced for the town’s couples, decorated with gilt lettering and with floral and vegetal patterns; and artworks he created to adorn the walls of the local synagogues, including gilt-lettered plaques. Among his many special talents was his ability to inscribe micrographic texts onto grains of wheat; he could fit entire biblical verses onto a single grain. In the (Hebrew) book of memoirs by Yosef Zvi’s grandson, Benjamin Geiger, entitled “One of the Elders of Safed, ” Benjamin writes that his grandfather also specialized in engraving in stone, and his lettering appears on a number of Safed’s headstones.
PLEASE NOTE: Item descriptions were shortened in translation. For further information, please refer to Hebrew text.
“Shavuos’el” / “roizeleh”, papercut in a pattern of birds and flowers for the holiday of Shavu’ot, by Yosef Zvi Geiger. [Safed], [1908].
Papercut, hand-made and painted in watercolor. The work centers around two roses encircled by smaller flowers, leaves, and birds. In their beaks, two of the birds carry notes that, when combined, bear the Hebrew liturgical phrase “For this holiday / of Shavu’ot”. Toward the bottom, in the middle, is a strip inscribed (in Hebrew) with the Biblical verse “I am a rose of Sharon, a rose of the valleys” (Song of Songs 2:1). The papercut is dated in pencil (in Hebrew) on verso: “Made in Year Tarsa-het” (Hebrew year 5668 = 1908).
See also two previous item and following items.
23X24 cm. Overall good condition. Pinholes to edges. Few stains and creases. Minor repairs with adhesive tape.
Yosef Zvi Geiger (1870-1944), native of Safed. One of the most accomplished and prominent public figures involved with Safed’s Torah and charity institutions. Served as general secretary of Safed’s “kolel” institutions, and was influential in running them. His home served as a regular meeting place for the “gaba’im” (managers) of the various “kolelim” and congregations. The Yishuv’s foremost newspapers – including “Havatzelet, ” “HaLevanon, ” and “HaZefirah” – all regularly published his articles. His penmanship and elegant calligraphy rendered his handwriting eminently legible; among his many other duties, he served as a “sofer” (ritual scribe) for the kolelim, and assisted illiterate members of the community by writing letters on their behalf. Geiger was renowned in his hometown of Safed for being both a gifted scribe and talented painter, entrusted with producing beautifully scripted documents. Among his extant works are splendid “Mizrah” and “Shiviti” plaques; calligraphic and illustrated title pages for “donors’ books”; illuminated donors’ certificates and letters of greeting; and papercuts in the Eastern European style. His contemporaries in Safed glowingly recall the beautiful marriage contracts he produced for the town’s couples, decorated with gilt lettering and with floral and vegetal patterns; and artworks he created to adorn the walls of the local synagogues, including gilt-lettered plaques. Among his many special talents was his ability to inscribe micrographic texts onto grains of wheat; he could fit entire biblical verses onto a single grain. In the (Hebrew) book of memoirs by Yosef Zvi’s grandson, Benjamin Geiger, entitled “One of the Elders of Safed, ” Benjamin writes that his grandfather also specialized in engraving in stone, and his lettering appears on a number of Safed’s headstones.
PLEASE NOTE: Item descriptions were shortened in translation. For further information, please refer to Hebrew text.
“Shavuos’el” / “roizeleh, ” papercut for the holiday of Shavu’ot, by Yosef Zvi Geiger. [Safed], 1903.
Symmetrical papercut, hand-made and painted in watercolor. The work centers around a large flower, situated on top of a tree. Sprouting outward from the flower are leaves, and branches bearing buds and much smaller flowers in a different color. The tree is flanked by a pair of deer. The papercut is titled and dated in pencil (in Hebrew) on verso: “Made in Year 5663 [1903] on the occasion of the holiday of Shavu’ot.”
See also previous items.
23.5X21 cm. Overall good condition. Pinholes to edges. Few stains and creases. Several minor tears.
Yosef Zvi Geiger (1870-1944), native of Safed. One of the most accomplished and prominent public figures involved with Safed’s Torah and charity institutions. Served as general secretary of Safed’s “kolel” institutions, and was influential in running them. His home served as a regular meeting place for the “gaba’im” (managers) of the various “kolelim” and congregations. The Yishuv’s foremost newspapers – including “Havatzelet, ” “HaLevanon, ” and “HaZefirah” – all regularly published his articles. His penmanship and elegant calligraphy rendered his handwriting eminently legible; among his many other duties, he served as a “sofer” (ritual scribe) for the kolelim, and assisted illiterate members of the community by writing letters on their behalf. Geiger was renowned in his hometown of Safed for being both a gifted scribe and talented painter, entrusted with producing beautifully scripted documents. Among his extant works are splendid “Mizrah” and “Shiviti” plaques; calligraphic and illustrated title pages for “donors’ books”; illuminated donors’ certificates and letters of greeting; and papercuts in the Eastern European style. His contemporaries in Safed glowingly recall the beautiful marriage contracts he produced for the town’s couples, decorated with gilt lettering and with floral and vegetal patterns; and artworks he created to adorn the walls of the local synagogues, including gilt-lettered plaques. Among his many special talents was his ability to inscribe micrographic texts onto grains of wheat; he could fit entire biblical verses onto a single grain. In the (Hebrew) book of memoirs by Yosef Zvi’s grandson, Benjamin Geiger, entitled “One of the Elders of Safed, ” Benjamin writes that his grandfather also specialized in engraving in stone, and his lettering appears on a number of Safed’s headstones.
PLEASE NOTE: Item descriptions were shortened in translation. For further information, please refer to Hebrew text.
Two portfolios containing series of lithographs by the Dutch-Jewish artists David Blanes, depicting Jewish motifs. Hand-signed and numbered [1920s?]:
1. "Mitzvot" – portfolio containing five lithographs portraying various Jewish "Mitzvot": "Kiddushin", "Kiddush", "Yahrtzeit", "Brit Milah", and "Tisha BeAv". Copy no. 22 of a limited edition of 220 numbered copies, with the artist's signature under each of the lithographs. The prints are contained in the original portfolio, featuring an additional lithograph, depicting a Jewish figure reading the Torah, flanked by two Shabbat candles (with the artist's signature on the inner flap).
5 lithographs. 30X44 cm. Good condition. Minor wear to portfolio. Tear along the fold of the front flap, restored with acid-free tape.
2. "Yom Tov" – portfolio containing five lithographs depicting customs of Jewish holidays and other occasions: "Shofar", "Seder", "Arba'at Haminim", "Simchat Torah", and "Vidui". Copy no. 5 of a limited edition of 250 numbered copies, with the artist's signature under each of the lithographs. The prints are contained in the original portfolio, featuring an additional lithograph, depicting a table set for the Shabbat meal.
Approx. 29.5X43.5 cm. Good condition. Minor tears to portfolio, restored with acid-free tape.
David Blanes (1869-1967), Dutch-Jewish painter, lithographer and draftsman; native of Amsterdam, whose work is, for the most part, concerned with various Jewish motifs. Blanes studied art in the State Academy of Fine Arts in Amsterdam (Rijksakademie van beeldende kunsten); live and worked in Amsterdam, Antwerpen and Paris.
PLEASE NOTE: Item descriptions were shortened in translation. For further information, please refer to Hebrew text.