Auction 73 - Jewish and Israeli History, Culture and Art
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Displaying 193 - 204 of 255
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $600
Sold for: $1,375
Including buyer's premium
Eight prints by Joseph Budko (1888-1940). [First decades of the 20th century].
· Three etchings depicting Jewish life in Płońsk, Budko's hometown ("The Jewish Street", "The Market Square", "Returning from the Synagogue"). The Plonsk synagogue is seen in two of the etchings. [1911?]. Signed in pencil.
· "Dream", woodcut, [1920]. Signed in pencil.
· "Preparations for the Sabbath Meal", woodcut, 1923. Signed and dated in pencil.
· "Jews", three woodcuts. Two of them signed in pencil, the third signed in the plate.
Size and condition vary. Some matted and framed.
Provenance:
1. Artist's estate.
2. Private collection.
· Three etchings depicting Jewish life in Płońsk, Budko's hometown ("The Jewish Street", "The Market Square", "Returning from the Synagogue"). The Plonsk synagogue is seen in two of the etchings. [1911?]. Signed in pencil.
· "Dream", woodcut, [1920]. Signed in pencil.
· "Preparations for the Sabbath Meal", woodcut, 1923. Signed and dated in pencil.
· "Jews", three woodcuts. Two of them signed in pencil, the third signed in the plate.
Size and condition vary. Some matted and framed.
Provenance:
1. Artist's estate.
2. Private collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $300
Sold for: $3,250
Including buyer's premium
Ten etchings by Joseph Budko (1888-1940) – illustrations and ornamental initials for the Passover Haggadah. All signed in pencil.
Budko created the series of illustrations for the Passover Haggadah between 1915 and 1917. The Haggadah with his illustrations was published in 1921 (published by Löwit, Vienna-Berlin).
Nine prints on heavy paper and one print on thin paper (mounted on Bristol board). Size of etchings: approx. 6X6 cm to 17X13.5 cm. Good overall condition.
Provenance:
1. Artist's estate.
2. Private collection.
Budko created the series of illustrations for the Passover Haggadah between 1915 and 1917. The Haggadah with his illustrations was published in 1921 (published by Löwit, Vienna-Berlin).
Nine prints on heavy paper and one print on thin paper (mounted on Bristol board). Size of etchings: approx. 6X6 cm to 17X13.5 cm. Good overall condition.
Provenance:
1. Artist's estate.
2. Private collection.
Category
Israeli and International Art
Catalogue
Lot 330 Joseph Budko (1880-1940) – Woodcuts for the Jubilee Edition of Haim Nahman Bialik's Writings
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $300
Sold for: $625
Including buyer's premium
Sixteen woodcuts by Joseph Budko (1888-1940) – illustrations for the jubilee edition of Haim Nahman Bialik's Writings published by "Hovevei Hashira Haivrit" in Berlin (1923). 14 of them are signed in pencil.
Size and condition vary (most of the woodcuts are small – approx. 4X4.5 cm to 5.5X5.5 cm. One approx. 16X12 cm woodcut).
Provenance:
1. Artist's estate.
2. Private collection.
Size and condition vary (most of the woodcuts are small – approx. 4X4.5 cm to 5.5X5.5 cm. One approx. 16X12 cm woodcut).
Provenance:
1. Artist's estate.
2. Private collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $5,000
Sold for: $10,000
Including buyer's premium
Forty-eight original woodblocks and etching plates made by Joseph Budko. [Berlin and Jerusalem, 1910s to 1940].
Including:
· 19 woodblocks used for printing the woodcut illustrations to the Jubilee Edition of Haim Nahman Bialik's Writings, 1923 (this edition, considered a masterpiece of Hebrew printing, was designed by Budko; the poetry volume features nineteen illustrations. These woodblocks were used for printing all nineteen illustrations). The illustrated poems include: "In the City of Slaughter", "The Talmud Student", "And If the Angel Should Ask", "On the Slaughter", "Seer, Run Away", "Daughter of Israel" and others.
The titles of poems were handwritten on the margins or verso of most woodblocks. One woodblock is also inscribed with a line from the coresponding poem.
· A metal relief printing block (attached to a wooden block) – a letter from Haim Nahman Bialik (from July 28, 1923), thanking Budko for the illustrations he created for his poems.
· 18 woodblocks used for various works, including some of Budko's most well-known woodcuts: "Jews" (1920), "Friday Night" (1921), "Sabbath Night" (1921), "The Family" (1921), "The Ten Commandments" (1923), "HaPilpul" (1924-5), "The Tailor" (1929), "A Man Like Me Will Not Run Away" (1930), "The Pioneer and His Old Father" (1934), "Jerusalem" (1936); a two-sided woodblock – one side used to print the work "Dream" (1920) and the other used for the work "After Receiving the Sabbath" (1921); and more.
· Ten metal etching plates: "The Market Square in Plonsk" (with an etched dedication to Budko's future wife, 1915), portraits of old Jewish men (two plates, with the etched signature "Budko 5683 [1923]), "Thou shall not Kill" (1925), "He Who Finds a Wife Finds a Good Thing", and more.
Enclosed: an uncarved wooden cube, with a pencil sketch (preparation for a woodblock?).
A total of 48 woodblocks and etching plates. Size varies. Most plates in good condition. Significant rust damage to a few plates.
Literature: Joseph Budko and H. N. Bialik's Complete Works Edition of 1923, Modern Hebrew Poetry and Art in Harmony (Hebrew) by Alec Mishory (Am Oved, 2006).
1. Artist's estate.
2. Private collection.
Including:
· 19 woodblocks used for printing the woodcut illustrations to the Jubilee Edition of Haim Nahman Bialik's Writings, 1923 (this edition, considered a masterpiece of Hebrew printing, was designed by Budko; the poetry volume features nineteen illustrations. These woodblocks were used for printing all nineteen illustrations). The illustrated poems include: "In the City of Slaughter", "The Talmud Student", "And If the Angel Should Ask", "On the Slaughter", "Seer, Run Away", "Daughter of Israel" and others.
The titles of poems were handwritten on the margins or verso of most woodblocks. One woodblock is also inscribed with a line from the coresponding poem.
· A metal relief printing block (attached to a wooden block) – a letter from Haim Nahman Bialik (from July 28, 1923), thanking Budko for the illustrations he created for his poems.
· 18 woodblocks used for various works, including some of Budko's most well-known woodcuts: "Jews" (1920), "Friday Night" (1921), "Sabbath Night" (1921), "The Family" (1921), "The Ten Commandments" (1923), "HaPilpul" (1924-5), "The Tailor" (1929), "A Man Like Me Will Not Run Away" (1930), "The Pioneer and His Old Father" (1934), "Jerusalem" (1936); a two-sided woodblock – one side used to print the work "Dream" (1920) and the other used for the work "After Receiving the Sabbath" (1921); and more.
· Ten metal etching plates: "The Market Square in Plonsk" (with an etched dedication to Budko's future wife, 1915), portraits of old Jewish men (two plates, with the etched signature "Budko 5683 [1923]), "Thou shall not Kill" (1925), "He Who Finds a Wife Finds a Good Thing", and more.
Enclosed: an uncarved wooden cube, with a pencil sketch (preparation for a woodblock?).
A total of 48 woodblocks and etching plates. Size varies. Most plates in good condition. Significant rust damage to a few plates.
Literature: Joseph Budko and H. N. Bialik's Complete Works Edition of 1923, Modern Hebrew Poetry and Art in Harmony (Hebrew) by Alec Mishory (Am Oved, 2006).
1. Artist's estate.
2. Private collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $1,500
Sold for: $3,750
Including buyer's premium
Thirteen etching plates for bookplates designed by Joseph Budko, twelve of them accompanied by the resulting bookplates (hand-signed by Budko), and three additional bookplates made by Budko for himself and his wife. [Berlin, 1911-1919].
· Thirteen etching plates for bookplates: "Ex-libris Yosef Ben Yaakov" (Hebrew; an etching plate for one of the bookplates Budko had designed for himself, 1912), Maurice J. Budko (1913), Katia Roscamp (1913), Dr. Julius Meisel (1916), Irene Schwarz (1916), Rahel Goldschmidt (1917), Paul Sachs (1917), Dr. Karl Schwarz (1917), Karl und Elza Baer (1918), S. Bachrach (1918), Albert und Emmy Badt (1918), Rudolf von Goldschmidt Rothschild (1919), Exlibris Heinrich Eisemann (1916). All the plates except for the last one are accompanied by prints of the bookplates (signed in pencil, on the margins).
· Three bookplates designed by Joseph Budko for himself and his wife, hand-signed by him: "Ex-libris Rachel Budko" (a Hebrew bookplate depicting Rachel's Tomb, designed by Budko for his wife Rachel, 1911); two bookplates Budko had designed for himself in 1912 and 1917 (one with an illustration of a street in his hometown of Plonsk).
Enclosed: Joseph Budkos jüdische Exlibriskunst [The Art of Joseph Budko's Jewish Bookplates], by Avraham Horodisch (printout from Soncino Blätter, vol. III, 1929); JNF stamp, a woodcut designed by Joseph Budko (depicting a structure flanked by two palm trees inside a Star of David).
A total of 13 etching plates and 15 bookplates. Size and condition vary, good overall condition.
Provenance:
1. Artist's estate.
2. Private collection.
· Thirteen etching plates for bookplates: "Ex-libris Yosef Ben Yaakov" (Hebrew; an etching plate for one of the bookplates Budko had designed for himself, 1912), Maurice J. Budko (1913), Katia Roscamp (1913), Dr. Julius Meisel (1916), Irene Schwarz (1916), Rahel Goldschmidt (1917), Paul Sachs (1917), Dr. Karl Schwarz (1917), Karl und Elza Baer (1918), S. Bachrach (1918), Albert und Emmy Badt (1918), Rudolf von Goldschmidt Rothschild (1919), Exlibris Heinrich Eisemann (1916). All the plates except for the last one are accompanied by prints of the bookplates (signed in pencil, on the margins).
· Three bookplates designed by Joseph Budko for himself and his wife, hand-signed by him: "Ex-libris Rachel Budko" (a Hebrew bookplate depicting Rachel's Tomb, designed by Budko for his wife Rachel, 1911); two bookplates Budko had designed for himself in 1912 and 1917 (one with an illustration of a street in his hometown of Plonsk).
Enclosed: Joseph Budkos jüdische Exlibriskunst [The Art of Joseph Budko's Jewish Bookplates], by Avraham Horodisch (printout from Soncino Blätter, vol. III, 1929); JNF stamp, a woodcut designed by Joseph Budko (depicting a structure flanked by two palm trees inside a Star of David).
A total of 13 etching plates and 15 bookplates. Size and condition vary, good overall condition.
Provenance:
1. Artist's estate.
2. Private collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $1,500
Unsold
Joseph Budko (1888-1940), At the Entrance to the Shop (the schochet's wife), 1931.
Oil on canvas. Signed and dated.
56X50 cm. Good condition.
Provenance:
1. Artist's estate.
2. Private collection.
Oil on canvas. Signed and dated.
56X50 cm. Good condition.
Provenance:
1. Artist's estate.
2. Private collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $700
Sold for: $2,125
Including buyer's premium
Joseph Budko (1888-1940), The Water Carrier, 1933.
Oil on canvas. Signed and dated.
46X37 cm. In a wooden frame. Good condition.
Provenance:
1. Artist's estate.
2. Private collection.
Oil on canvas. Signed and dated.
46X37 cm. In a wooden frame. Good condition.
Provenance:
1. Artist's estate.
2. Private collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $300
Sold for: $3,250
Including buyer's premium
Joseph Budko (1888-1940), Portrait.
Oil on Masonite. Signed.
Approx. 21.5X17.5 cm. In a wooden frame. Good condition. Minor blemishes.
Provenance:
1. Artist's estate.
2. Private collection.
Oil on Masonite. Signed.
Approx. 21.5X17.5 cm. In a wooden frame. Good condition. Minor blemishes.
Provenance:
1. Artist's estate.
2. Private collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $300
Sold for: $2,125
Including buyer's premium
Joseph Budko (1888-1940), Portrait of a Jew, 1920.
Ink on paper. Signed and dated.
37.5X24 cm. Good condition. Stains. Small tears to edges, restored. Mounted on thick paper.
Provenance:
1. Artist's estate.
2. Private collection.
Ink on paper. Signed and dated.
37.5X24 cm. Good condition. Stains. Small tears to edges, restored. Mounted on thick paper.
Provenance:
1. Artist's estate.
2. Private collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $300
Unsold
Joseph Budko (1888-1940), Portrait (self-portrait?).
Pencil on heavy paper. Inscribed by hand (the inscription, in German, is dated 5.1.1920); the name Joseph Budka is handwritten above the inscription. A small piece of paper with Joseph Budko's stamped signature is glued to the leaf.
Approx. 24X32 cm. Good condition. Stains. Minor blemishes to margins (not affecting sketch).
Provenance:
1. Artist's estate.
2. Private collection.
Pencil on heavy paper. Inscribed by hand (the inscription, in German, is dated 5.1.1920); the name Joseph Budka is handwritten above the inscription. A small piece of paper with Joseph Budko's stamped signature is glued to the leaf.
Approx. 24X32 cm. Good condition. Stains. Minor blemishes to margins (not affecting sketch).
Provenance:
1. Artist's estate.
2. Private collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $500
Sold for: $625
Including buyer's premium
Artur Markowicz (1872-1934), Two Women.
Pastel on paper mounted on cardboard. Signed: "Artur Markowicz, Krakow".
Artur Markowicz (1872-1934) was born in Krakow. He studied at the Krakow Academy of Fine Arts under Leopold Leffler, Jan Matejko and others, and between 1896 and 1903 pursued his studies in Munich and at the École des Beaux-Art in Paris, where he also exhibited his work. In 1904, he returned to Krakow and opened a studio in the Jewish district of Kazimierz. In 1907-1908 he travelled to Jerusalem. He continued to work in Krakow, while touring Europe and exhibiting his works. Like other Polish-Jewish artists, he was a member of the Jewish Society for the Encouragement of Fine Arts. His works are mostly realistic with visible symbolist and expressionist influence; one of his prevalent subjects is the Jews of Krakow, depicted time and again in his work.
26.5X34 cm. Framed: 48.5X42.5 cm. Good condition. Minor blemishes to margins. Cracks, loss and blemishes to frame.
Provenance: The Uzi Agassi Collection.
Pastel on paper mounted on cardboard. Signed: "Artur Markowicz, Krakow".
Artur Markowicz (1872-1934) was born in Krakow. He studied at the Krakow Academy of Fine Arts under Leopold Leffler, Jan Matejko and others, and between 1896 and 1903 pursued his studies in Munich and at the École des Beaux-Art in Paris, where he also exhibited his work. In 1904, he returned to Krakow and opened a studio in the Jewish district of Kazimierz. In 1907-1908 he travelled to Jerusalem. He continued to work in Krakow, while touring Europe and exhibiting his works. Like other Polish-Jewish artists, he was a member of the Jewish Society for the Encouragement of Fine Arts. His works are mostly realistic with visible symbolist and expressionist influence; one of his prevalent subjects is the Jews of Krakow, depicted time and again in his work.
26.5X34 cm. Framed: 48.5X42.5 cm. Good condition. Minor blemishes to margins. Cracks, loss and blemishes to frame.
Provenance: The Uzi Agassi Collection.
Category
Israeli and International Art
Catalogue
Auction 73 - Jewish and Israeli History, Culture and Art
August 11, 2020
Opening: $700
Unsold
Tadeusz Rychter (1873-1943), The Artist's Spouse (?), 1920.
Watercolor on heavy paper. Signed and dated.
Tadeusz Rychter, born in Poland, studied at the Jan Matejko Academy of Fine Arts in Kraków. He married the Polish artist and socialite Bronisława Janowska, but the two separated after several years and Rychter moved to Munich, where he met his partner in life and art, Anna May-Rychter. In Munich, Rychter was introduced to the philosophy of Rudolf Steiner, founder of anthroposophy, and was captivated by it. The Rycters soon became ardent anthroposophists and worked on decorating the first Goetheanum, the anthroposophical movement center in Dornach, Switzerland.
In ca. 1924, the Rychters were commissioned to paint watercolors of the Holy sites in Palestine by a company that sold the paintings in Europe. They settled in Jerusalem, creating delicate watercolors depicting the views and people of Palestine and commissioned portraits. Rychter was also hired to take part in the restoration of a church in Bethlehem. The Rychters displayed their works in various exhibitions. A review of a joint exhibition of their works at the Bezalel National Art Museum ("Doar Hayom", May 6, 1927) noted: "…Rychter is unique in his ability, not only in Palestine, but in Europe as well. He is one of the few who perfected the watercolor portrait. He was able to convey the subtlety of the tone […] and mainly the emotional expression. Here, the transparency of watercolors helps the artist peer through the skin into the subject's soul. Of all the portraits on display, most noticeable was the portrait of Mrs. Rychter (the artist's wife), which is as expertly executed as works by the greatest English aquarellists…" (Hebrew).
In 1935 Tadeusz Rychter applied for membership in the Palestine Artists' Association but was turned down, most probably because of his religion. In 1939, he was invited to Poland to create frescos for a new church, and with the outbreak of World War II was unable to return to Palestine. As far as is known, Ryhcter was arrested and murdered by the Nazis.
42X33 cm, in a 78X69.5 cm frame. Good condition. Minor blemishes to frame. Unexamined out of frame.
Provenance: The collection of Simcha Holtzberg, "Father of the Wounded Soldiers".
---------------------
Simcha Holtzberg (1924-1994), also known as the "Father of the Wounded Soldiers", loreate of the 1976 Israel Prize, was born in Warsaw, Poland, and experienced firsthand the horrors of the Holocaust in the Warsaw Ghetto and the camps of Budzyń and Bergen-Belzen. After the liberation, he immigrated to Palestine, married and started a family, making a living trading in Judaica and art. Since the Six-Day War, he devoted much of his time and efforts to helping wounded and disabled IDF soldiers and bereaved families. He visited wounded soldiers in hospitals, supporting them both spiritually and financially and accompanying them in their recovery as a real father would.
From Prime Minister Yitzhak Rabin’s eulogy in memory of Simcha Holtzberg: "This man, snatched from the fire of the Holocaust, so deeply concerned for the State of Israel, a haven for Holocaust refugees, did everything in his power so that the catastrophe would be remembered. The terrors of the Holocaust followed him like a shadow, fueling his love of the State, the wounded, the disabled, the bereaved families […] in the name of the Israel Defense Forces and in the name of the State of Israel, I salute you, Simcha".
Watercolor on heavy paper. Signed and dated.
Tadeusz Rychter, born in Poland, studied at the Jan Matejko Academy of Fine Arts in Kraków. He married the Polish artist and socialite Bronisława Janowska, but the two separated after several years and Rychter moved to Munich, where he met his partner in life and art, Anna May-Rychter. In Munich, Rychter was introduced to the philosophy of Rudolf Steiner, founder of anthroposophy, and was captivated by it. The Rycters soon became ardent anthroposophists and worked on decorating the first Goetheanum, the anthroposophical movement center in Dornach, Switzerland.
In ca. 1924, the Rychters were commissioned to paint watercolors of the Holy sites in Palestine by a company that sold the paintings in Europe. They settled in Jerusalem, creating delicate watercolors depicting the views and people of Palestine and commissioned portraits. Rychter was also hired to take part in the restoration of a church in Bethlehem. The Rychters displayed their works in various exhibitions. A review of a joint exhibition of their works at the Bezalel National Art Museum ("Doar Hayom", May 6, 1927) noted: "…Rychter is unique in his ability, not only in Palestine, but in Europe as well. He is one of the few who perfected the watercolor portrait. He was able to convey the subtlety of the tone […] and mainly the emotional expression. Here, the transparency of watercolors helps the artist peer through the skin into the subject's soul. Of all the portraits on display, most noticeable was the portrait of Mrs. Rychter (the artist's wife), which is as expertly executed as works by the greatest English aquarellists…" (Hebrew).
In 1935 Tadeusz Rychter applied for membership in the Palestine Artists' Association but was turned down, most probably because of his religion. In 1939, he was invited to Poland to create frescos for a new church, and with the outbreak of World War II was unable to return to Palestine. As far as is known, Ryhcter was arrested and murdered by the Nazis.
42X33 cm, in a 78X69.5 cm frame. Good condition. Minor blemishes to frame. Unexamined out of frame.
Provenance: The collection of Simcha Holtzberg, "Father of the Wounded Soldiers".
---------------------
Simcha Holtzberg (1924-1994), also known as the "Father of the Wounded Soldiers", loreate of the 1976 Israel Prize, was born in Warsaw, Poland, and experienced firsthand the horrors of the Holocaust in the Warsaw Ghetto and the camps of Budzyń and Bergen-Belzen. After the liberation, he immigrated to Palestine, married and started a family, making a living trading in Judaica and art. Since the Six-Day War, he devoted much of his time and efforts to helping wounded and disabled IDF soldiers and bereaved families. He visited wounded soldiers in hospitals, supporting them both spiritually and financially and accompanying them in their recovery as a real father would.
From Prime Minister Yitzhak Rabin’s eulogy in memory of Simcha Holtzberg: "This man, snatched from the fire of the Holocaust, so deeply concerned for the State of Israel, a haven for Holocaust refugees, did everything in his power so that the catastrophe would be remembered. The terrors of the Holocaust followed him like a shadow, fueling his love of the State, the wounded, the disabled, the bereaved families […] in the name of the Israel Defense Forces and in the name of the State of Israel, I salute you, Simcha".
Category
Israeli and International Art
Catalogue