Auction 102 Part 1 Hebrew Manuscripts and Books from the Victor (Avigdor) Klagsbald Collection
Illustrated manuscript, Passover Haggadah, with Passover Haftarot according to the Meknes rite, produced by R. Baruch son of R. Avraham Maimaran. [Meknes, Morocco, between 1790-1826].
Neat Western script (square and semi-cursive). Divisional title page (decorated) for Haftarot section, naming the scribe and his sons for whom he produced the manuscript: "Haftarot of Pesach according to the rite of the Meknes community… I, Baruch son of… R. Avraham Maimaran wrote it at the desire of the inseparable brothers Avraham and Moshe". On verso of title page, ownership inscription: "Avraham and Moshe son of R. Baruch Maimaran". Additional inscription on leaf before title page: "Baruch Avraham Maimaran". Colophon on last page: "I, the writer, Baruch Maimaran".
The manuscript contains many illustrations integrating European decorative traditions with the artistic styles characteristic of Islamic lands. The decorations comprise frames with vegetal patterns; large, decorated initial panels; arches and pointed arches as well as figurative illustrations. The manuscript's decorations include: large initial words incorporating minute figures (pp. 5b, 6a); illustrations of the wicked and simple of the four sons (p. 6a); illustration of a figure holding a kiddush cup (p. 8a); the words of Dayenu in a large pointed arch decorated with vegetal patterns (p. 12a); a large illustration depicting Isaac leading a lamb, the Pesach sacrifice, by a leash (p. 13b); a large illustration of a figure holding matzah against a background of vegetal decorations (p. 14a); a large illustration of a figure holding maror (p. 14b); a particularly large illustration of a figure holding a kiddush cup, near the blessing over the second cup (p. 16a); an initial panel to a verse of the Hallel, with an illustration depicting a figure holding tablets containing the words "Lo Lanu" (p. 17b); an initial panel to Nishmat Kol Chai, with an illustration of a figure holding a vessel reading "Nishmat" (p. 20b); a figure riding a horse (p. 37b).
At the end of the Haggadah, before the Haftarot section (p. 24a), appears a large illustration filling the page, depicting a large figure within a decorated arch. This illustration, captioned "This is the picture of Shefoch", preserves a Moroccan Jewish folk tradition meant to encourage children to stay awake until the end of the Haggadah: After reading Shefoch Chamatcha, they would open the door and tell the children that Shefoch (or Sifoch, in the Moroccan accent) would enter; this custom corresponds to the traditional European anticipation of Elijah.
The manuscript likewise comprises seven large initial panels decorated with rectangular frames and vegetal patterns (pp. 4a, 5a, 6b, 7a, 8b, 11a, 18a), the decoration of p. 11a includes a pointed arch; a leaf framed in a vegetal pattern (p. 29a); and additional decorated initial panels (pp. 5b, 6a, 7a).
R. Baruch Maimaran, a rabbi of Meknes (Malchei Rabanan, pp. 24a-b). Son of R. Avraham Maimaran (see: Malchei Rabanan, p. 17a), rabbi and dayan of Meknes, son-in-law of R. Yaakov Toledano (Maharit). R. Baruch's elder brother was R. Moshe Maimaran, a disciple of his grandfather the Maharit, one of the best-known rabbis of Meknes (his novellae and homilies were recently published by Machon Ahavat Shalom). R. Baruch's other brothers were R. Daniel Maimaran, R. Shlomo Maimaran and R. Shemayah Maimaran. In Mizkeret HaNiftarim Shel Rabbanei HaMaarav by R. Chaim Toledano (published by R. Avraham Hillel, Min HaGenazim, XVII, Jerusalem 2023, p. 191), R. Baruch's date of passing is given as Rosh Chodesh Shevat 1826, in the famine that prevailed that year.
Since R. Avraham Maimaran passed away in 1790 and his son R. Baruch, the writer, passed away in 1826, we date the manuscript between these two years.
[37] leaves. Approx. 10 leaves torn and missing from Haftarot section (inner margins of leaves partly preserved). Approx. 14 cm. Fair-good condition. Stains, including dark dampstains to bottoms of leaves, with fading of words and smudging of ink. Newly bound, incorporating leather binding from Morocco (approximately contemporaneous with manuscript).
Literature: The manuscript is documented in Jewish Life in Morocco (Israel Museum catalogue, Jerusalem, 1973; Hebrew), p. 83, images 132-133.
Passover Haggadah with illustrations. Augsburg: Chaim son of David Shachor, 1534.
Passover Haggadah, with woodcut illustrations, one of the earliest illustrated Haggadot to be printed. The Haggadah originally comprises four large illustrations, and nine small illustrations (effectively four different small illustrations, repeated). The present copy lacks the title page and five other leaves in the middle. All four large illustrations and six of the small illustrations are present, three of the small illustrations are lacking (two illustrations on the Four Sons leaf, and another illustration after the Gaal Yisrael blessing).
The first large illustration features several people sitting around a table, and the second similar illustration features a family sitting around a table. The next two illustrations, printed on the leaf with Kiddush and Havdalah, feature a hunter with his dogs chasing hares (in the first illustration, the dogs chase the hares into a net, and the second shows the hares having escaped the net, watching the dogs from the other side; this has been taken by some as an allegory for the Jewish people's escape from their persecutors). The motif of the hare hunted by a dog appears in several illustrated Haggadah manuscripts, and also in the Prague 1527 Haggadah, and its origin appears to be in the mnemonic Yaknehaz for the order of blessings for a combined Kiddush and Havdalah, which phonetically resembles the German Jagen-hase ("hare hunting").
Colophon on last leaf: "Order of Pesach completed, today, Sunday, 3rd Shevat, Chaim son of David [=1534] the typesetter".
Between second and third leaves of fifth gathering, three handwritten leaves bound (in neat Italian semi-cursive script, ca. date of printing), with end of the piyyut Pesach Mitzrayim Asirai Yatzu Chofshim and the piyyut MiBeit Aven Shevet Medanai.
Incomplete copy. [18] leaves. Originally: i-vi4 ([24] leaves). Lacking [6] leaves: i1 (title page), ii1, and gathering iv (4 leaves). With [3] handwritten leaves between second and third leaves of gathering v. 17.5 cm. Fair condition. Stains, including dampstains and dark stains. Tears and open tears, affecting text on several leaves, repaired with paper. Open tears from ink erosion, affecting text, on handwritten leaves. New binding.
R. Chaim Shachor was a distinguished printer in the early Hebrew press in Europe outside of Italy, and one of the first printers in Prague. He founded the first Hebrew press in Germany (Augsburg), and later founded the first Hebrew press in Lublin. He was active in Prague ca. 1515-1526 (he is claimed to have been involved in the woodcut designs for the Prague 1527 Haggadah, although the evidence is inconclusive). Next he settled in Oels, Silesia (present-day Oleśnica, Poland), where he printed several books. In 1534 he moved to Augsburg, where he established his press. In his press in Augsburg, only about 10 Hebrew titles were printed. Later (in 1543), he and his family moved to Ichenhausen, where he also printed several books; he then printed several books in Heddernheim. Ca. 1547 he reached Lublin, where he established the first Hebrew press in the city (see: A.M. Habermann, HaMadpis Chaim Shachor, Beno Yitzchak VeChatano Yosef ben R. Yakar, Kiryat Sefer XXXI, p. 491).
The present edition is particularly rare, and there are only two other known extant copies: a complete copy on parchment in the British Library, and another paper copy in the JTS Library in New York. To the best of our knowledge, this Haggadah has never before been put up for auction.
Otzar HaHaggadot 11.
C. Roth, HaHaggadah HaMetzuyeret ShebiDefus, Areshet III, 1961, pp. 12-13.
Mosche N. Rosenfeld, Der jüdische Buchdruck in Augsburg in der ersten Hälfte des 16. Jahrhunderts, London, 1985, no. 42, pp. 34-35.
Yosef Haim Yerushalmi, Haggadah and History, A Panorama in Facsimile of Five Centuries of the Printed Haggadah from the Collections of Harvard University and the Jewish Theological Seminary of America, Philadelphia, 1975, pp. 35-37; plates 14-17.
Gedolim Maasei Hashem, commentary on the stories of the Torah, with Passover Haggadah and commentary, by R. Eliezer Ashkenazi son of R. Eliyah HaRofe. Venice: Zuan (Giovanni) di Gara, 1583. First edition.
Includes text of Passover Haggadah (in Maasei Mitzrayim section, chapter 24).
Ownership inscription on title page: "11th September 1622, this came into my portion, Menatzeach of Family L[--?]". Signatures and other ownership inscriptions of R. Moshe son of Refael Soschino of Florence, and his son Shealtiel.
Glosses from several writers in Italian script, some lengthy. Many glosses of one writer begin with the words: "It appears to me", sometimes critiquing what the author wrote. Several glosses by another writer, beginning with initials.
Handwritten dedication on endpaper: "A gift sent to my dear friend Dr. Netanel Deutschlander, for his joyous wedding day, from Dr. Berliner" (apparently the scholar and bibliographer Dr. Avraham Berliner).
[6], 197 leaves. Blank leaf bound between leaves 181-182. 30 cm. Fair condition. Stains, including dampstains (heavy dampstains to last leaves). Wear. Tears and open tears, mainly to first and last leaves, partially repaired with paper. Small open tears to title page from ink erosion (from ownership inscription on title page). Old binding, damaged.
On margin of title page, signature of censor Alexander Longus Inquisitor Montisregalis, dated 1591.
Otzar HaHaggadot 30.
CB, no. 4980,2.
Passover Haggadah, "with a beautiful commentary and fine illustrations of the signs and wonders G-d did for our ancestors", with commentary of R. Yitzchak Abarbanel and a map of Eretz Israel. Amsterdam: Asher Anshel son of Eliezer Chazan and Yissachar Ber son of Avraham Eliezer, 1695. Two title pages, the first one illustrated with copper engravings.
This Haggadah, illustrated by the artist Avraham HaGer (a German priest from Rhineland who converted to Judaism in Amsterdam), was the first Haggadah to be illustrated with copper engravings, and one of the first Hebrew books to be illustrated with this printing method, which, as the second title page asserts, is infinitely superior to previously used woodcuts. This edition served as a prototype for many subsequent Haggadot, either by inclusion of the map or by imitation of its illustrations (for more information on this Haggadah, see article by Cecil Roth, HaHaggadah HaMetzuyeret ShebiDefus, Areshet, III, 1961, pp. 22-25).
[1], 26 leaves + [1] folded map. 29.5 cm.Fair-good condition. Stains, including large stains to several leaves. Tears and open tears to margins of many leaves, repaired with paper filling (margins of all leaves repaired with paper filling). Folding marks, tears and open tears to map (open tears mainly to margins), affecting illustrations, repaired with paper filling. New leather binding.
Variant. The first title page was printed in two forms. The bottom half of the title page is the same in both, depicting Moses and Aaron. The upper part of the title pages differs. The more common version has six miniature circles with various Biblical scenes. The present variant has a large illustration of Moses kneeling next to the Burning Bush (a title page of this type later appeared in the Amsterdam 1712 edition). Besides this, there are minor differences in the text on the title page.
Otzar HaHaggadot 93.
CB, no. 2702.
Passover Haggadah, with Mateh Aharon commentary by R. Aharon Darshan Teomim, with an added kabbalistic commentary. Frankfurt am Main: Dayan R. Leib Schnapper, [1710]. Integrated Ashkenazic and Sephardic rite, with instructions and comments in Yiddish and Ladino respectively.
Copper-engraved illustrations (after Avraham son of Yaakov HaGer, Amsterdam Haggadah, 1695).
Elaborate title page, composed of several illustrated typographical decorations (bottom part of title page damaged).
Ownership inscriptions on title page (partially trimmed and partially faded): "Belongs to R. Nata Lors[?]". Handwritten correction on p. 37a.
[2], 2-44 leaves. 29 cm. Varying condition, fair to good-fair. Stains, including dark food stains to several leaves. Tears and open tears, including open tears to title page, affecting title frame, and affecting text and illustrations on several leaves, repaired with paper filling. Worming, repaired with paper filling. Close trimming, affecting headers of leaves in several places. New binding.
Otzar HaHaggadot 113.
CB, no. 2710; Zedner, p. 441; Roest p. 690.
Passover Haggadah, with Maaseh Hashem commentary by R. Eliezer Ashkenazi. Fürth: Chaim son of Tzvi Hirsch, 1754.
At beginning of Haggadah, approbation by R. Yaakov Yehoshua, author of Pnei Yehoshua (approbation partly torn and lacking). Instruction in Yiddish (Tzenah URenah font). Yiddish translation to piyyutim at end of Haggadah.
Copy of the kabbalist R. Natan Adler, teacher of the Chatam Sofer. On title page, ownership inscription (possibly in his handwriting): "R. Natan Adler".
R. Natan HaKohen Adler (1742-1800), born in Frankfurt to R. Yaakov Shimon Adler. An outstanding Torah scholar and eminent kabbalist, he headed the yeshiva he established in his home in Frankfurt, and was the prime teacher of R. Moshe Sofer, the Chatam Sofer – who mentions him extensively in his books in halachic and kabbalistic matters, referring to him as "my prime teacher, the renowned and pious Torah scholar, the great eagle" (a play on the name Adler, German for eagle), and other honorific titles. He suffered much persecution from his townsmen, who even forbade him from holding prayer services in his Beit Midrash conforming with his singular kabbalistic customs. In 1782, R. Natan Adler left Frankfurt for Boskowitz, Moravia (today Boskovice, Czech Republic). His disciple R. Moshe Sofer (the Chatam Sofer) remained with him, accompanying him to Boskowitz where he continued studying under him. R. Natan Adler served as rabbi for only two years in Boskowitz, the only time he held a rabbinic position. He returned ca. 1785 to his home and Beit Midrash in Frankfurt.
[1], 23 leaves. Approx. 31 cm. Fair-good condition. Stains. Wear. Tears and open tears, including open tears to title page, affecting illustrated title page and text on verso, repaired with paper. Worming to first leaves, affecting text. New binding.
Otzar HaHaggadot 213.
Two Passover Haggadot, with Yiddish translation and illustrations, printed in Sulzbach in the 1750s:
• Haggadah – Passover Seder, with Yiddish translation and illustrations. Sulzbach: Meshulam Zalman son of Aharon [Frankel], 1755.
Illustrated title page, featuring Moses and Aaron, and other biblical scenes.
12, [2] leaves. Lacking two leaves before last one. Approx. 33 cm. Good-fair condition. Stains, including dampstains and food stains. Tears, including open tears, repaired with paper. Light worming. New binding.
A similar edition was printed concurrently in Sulzbach (with minor misspelling of Sulzbach on title page).
Otzar HaHaggadot 217.
• Haggadah – Passover Seder, with Yiddish translation and illustrations. Sulzbach: Meshulam Zalman son of Aharon [Frankel], 1753.
Illustrated title page, featuring Moses and Aaron on either side, with King David playing the lyre at the top, next to angels, and at the bottom an illustration of Jacob's dream of angels ascending and descending a ladder.
[1], 2-14 leaves. 31.5 cm. Somewhat dark paper. Fair condition; several leaves in fair-poor condition. Stains, including dark food stains. Tears and open tears to title page and other leaves, affecting title frame, illustrations and text, repaired with paper filling. New binding.
Especially rare edition.
Recorded in Otzar HaHaggadot based only on the first three leaves (the copy recorded in the NLI catalogue also contains only the first three leaves). Otzar HaHaggadot records a different pagination ([1], 14 leaves), following M. Weinberg's book on the Sulzbach Hebrew press, but it appears to be in error, the present book being a complete copy.
Otzar HaHaggadot 211.
